Olivia Rodrigo's Music Videos Referencing Women-Led Horror Movies
In honor of AANHPI Month, let's celebrate Filipina-American pop star Olivia Rodrigo and her love of horror movies.

Commissioned by The Common Guild as part of the Commonwealth 2014 celebrations, Phil Collins's film is both a modern day city symphony and a love letter to Glasgow. Through musical numbers, animation and a uniquely Glaswegian cable TV station, the film conjures up a distinctive vision of a city. Collins met people in maternity hospitals, schools, community groups and social clubs for the elderly, asking them to sing songs, make predictions for the future, debate the status of freedom in today’s society, guide us through the city’s most famous prison and dance like there’s no tomorrow. With animation by Matthew Robins, stellar songs from Welsh singer-songwriter Cate Le Bon, soundtrack contributions from Mogwai’s Barry Burns, local voodoo ravers Golden Teacher and the Royal Scottish National Orchestra, Tomorrow Is Always Too Long will take you on a trip deep into the heart of the city and beyond.
In honor of AANHPI Month, let's celebrate Filipina-American pop star Olivia Rodrigo and her love of horror movies.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
For those that are unaware, the trailer for the new Civil Rights movie Till has been out and it's absolutely amazing for all to see.
American Fiction is a genuinely entertaining film with a few lessons.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.