Kuttikrishnan (Jagadish), the illicit son of businessman Ananthan Nambiar, comes to Kochi to meet his dad, but a mix-up leaves him on the streets & another young man, Balagopalan (Mukesh), in his place as Nambiar's son. To expose Balagopalan, Kuttikrishnan teams up with cutpurse Mukundan (Jagathi) & car-thief Meenakshi (Annie), both of whom ensconce themselves in Nambiar's house as Kuttikrishnan's relatives. Meanwhile, Nambiar's manager Krishnadas was plotting to usurp Nambiar's assets.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
