Tom Hornets follows a former forensics photographer haunted by the images of his past, searching for a fresh start but soon entangled with Curtis Dombroski, a ruthless slumlord thriving amid Canada’s collapsing housing system. Set against the backdrop of a widening wealth gap and a culture adrift in apathy and disconnection, the film captures the quiet desperation of those priced out of stability as Tom uncovers the systemic greed and corruption that allow people like Dombroski to prosper, revealing a society where the dream of homeownership has become a haunting illusion.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Yes, Asia is actually quite a large hub for amazing horror films even to this day, some people just never notice! Well, I'm here to change that. It's time to not let those words at the bottom of the screen scare you but instead be scared by some of the best horror you never knew about.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
