Rauan works at a parking lot in a prestigious residential complex. Aidar drives past it every day in his father, an oil worker, in an expensive car. Both strive to build their lives on their own. They live in the same city, cross paths in the same courtyard, but there’s a chasm between them. There’s a barrier between them, created by wealth and poverty. One day, Aidar and Rauan will cross paths, and their worlds will collide.
"THANK YOU, Zach Creggar!" Back in 2022, this now established star in the horror film genre gave us the quirkily creepy, unexpectedly funny (at times!) cinematic gem that was "Barbarian". It felt like a cool breeze just washed over us as, for ONCE, the much traversed roads these films tend to go with got an upgrade of uniqueness without sacrificing the ambiance of uneasiness you desire.
An action film led by two queens, fighting for what they believe in through power and pain.
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A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
