A deeply personal study of motherhood as a ‘rite of passage’. It interweaves moments from the filmmaker’s childhood, family life and psychotherapy with world events, including the Holocaust, the Vietnam War and the Chernobyl nuclear accident, to evoke the complex inner world of maternal experience. Grethel’s tale from the fairy story Hansel and Grethel juxtaposes the personal story with a mythical exploration of freedom and individual responsibility.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
