
Belfast 1972: The politically naive Bernie is trying to bring up a normal family in less than normal surroundings. Her best friend is accidentally shot dead by the IRA, and her neighbours are constantly raided by the army. In this climate of fear she stands up and condemns the murders. Criticising both factions, her call for a ceasefire is interpreted as an attack against the IRA, and as her peace movement takes momentum, she and her family are placed in the frontline.
After his family fled to England after the Vietnam War, Kit returns home to Saigon.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
'Call Me Kate' is for the fans. It's an intimate account of an iconic film star.