Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.

Tina, a fifth grade elementary school student lives with his father, Tono. She busks in the streets to earn the admission fee needed for junior high school. When Tina is singing on the street, she meets a record producer, Aswin, who is fascinated by Tina’s dance style. Then Tina and Tono are evicted from their rented house. Tina is entrusted to her grandmother who also lives with her two children, Mak Wecek and Opang. Mak Wecek and her daughter, lvi, are upset with Tina, for receiving more attention from grandma. Tina is then invited to join the Lenong Bocah group. Then the group performs at a birthday party for Aswin’s son. Aswin immediately asks Tina for a recording. Tina's album becomes a huge success. Tina is now wealthy, as well as Mak Wecek who becomes Tina’s manager.
Not every silence is empty. Some are filled with things too heavy for words.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
A lot of us are emotionally impacted by the current pandemic. So, while we’re all stuck here in our homes, it’s great to put on a movie to ease the stress. With that, I made up a small list of some of my favorite feel-good movies.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
'Unsolved Mysteries' is a reminder that not everyone has closure in their lives. Things will happen that have no known explanation, and seemingly come out of nowhere.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.