Tina Modotti was the most important photographer of the twenties from last century in Mexico. Born in Udine in northeastern Italy, at age 16 emigrated, like millions of Italians to America. Ther she worked as a model and actress, but when renowned photographer Edward Weston chose Mexico as his home, Tina learned from him the craft and it was here where she made his photographic work. The crosslinking of art, activism, love and tragedy in her life, are the subjects of this documentary.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
A sweet slice-of-life anime that visualizes all the ways we creatively hide our vulnerabilities from the world.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.
