A young Black artist named Jonas lives in the shadow of his authoritarian brother with whom he shares a house. However, when his upstairs neighbor, Lucia, accepts an invitation to dinner, Jonas begins a journey of personal reflection, confronting his own demons and ghosts and doubting himself.
Make no mistake about it, Gilligan has created a continuation that earns its place in the annals of Breaking Bad lore. El Camino isn't a forced entry in an otherwise brilliant world of fiction. This is a satisfying take, which manages to give closure to an iconic character of fiction.
Slytherin is painted negatively for the traits the members of this house embody. Although Slytherin students are ambitious, cunning, and determined, they are more.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
A successful author’s life is upended when she finds herself on a plantation straight out of the antebellum south.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
As a frequent “the book was better” extoller, this movie was well worth the watch.
