Star Wars Episode VIII: The Last Jedi. The Best Post-Disney Star Wars Film
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.

A poet chooses to give birth alone at home surrounded by characters pregnant with their dreams. How to let life make its way out of the maternal womb? How to build a family when you had to leave the motherland? How to keep hope alive when even birds are hiding from bombings? Timelife is a lifeline, an umbilical cord linking each of us, no matter the color of the skin, the mother tongue or the land of birth. Timelife «homebirthes» lives, hopes and love. The narrative takes root in each moment of reality. The truth, extracted from context, is fictionalized. A way of staging life.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
This Comedy-Drama set in Nazi Germany, shows a young boy, Jojo who wants to be Hitler's personal guard and even conjures up Hitler to be his imaginary friend. His nationalism and prejudices of Jews change when he discovers a Jewish girl hiding in his attic.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.