Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

A woman... A man... Two people on the brink of death... Perhaps two people who would never meet, or even if they did, would pass each other by like ships in the fog, never seeing each other... Two separate worlds... Two separate histories... But now 'yesterday' is behind them, and they have met in death. And at the point where death's rules, words, and obstacles have been erased, they have set out to discover life. They shared fear, friendship, anger, and love. Who knows, perhaps even love... This was a life without a tomorrow. That's why "today" was so precious. A woman: Ela... A man: Ömer... They truly lived on the brink of death...
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Highlighting the many ways in which AFF 2023 illustrated that the queer experience is not a monolithic one.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
Miley Cyrus shares her struggles as a songstress with a young audience, all while staying upbeat for the Disney brand.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.