Tillie Getz, the eldest daughter of Jacob Getz, a brutal, driving father, lives in a Pennsylvania Mennonite village. Her Mennonite aunt leaves a will by the terms of which Tillie will inherit a small fortune if she has joined the Mennonite church by age eighteen. A plot is hatched by the lawyer who drew up the will and an attempt is made to force Tillie into a marriage with Absalom Puntz, an undesirable young man, sharing her fortune being its end.
Never Have I Ever season 3 is charming and hilarious as it has been in past seasons and still sports a diverse ensemble cast. However, the show doesn’t always treat its marginalized characters that well.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
It’s hard to capture the emotions and thoughts of a character just from a few shots, but Oscar-nominee composer Micachu's haunting melodies prove otherwise in 'Jackie'.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
2025 has just about wrapped, so we’re taking this time to celebrate the most inclusive films that came out this year. Graded on Gender, Race, LGBTQ, Disability, and more
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
