Love her or hate her, she's the girl you have to watch. Tila Tequila was the toast of MTV® with her smash hit "Shot At Love," and has appeared in Playboy®, Penthouse®, Maxim®, and virtually every fashion magazine in existence. She's also one very nasty girl...and we have the tape to prove it. Vivid Celeb brings you Tila Tequila Uncorked, in which this crazy-hot spinner gets it on with two hotties in a 3-way lesbian tryst you will never forget! It was one wild night of toys, panties, hotel rooms, and a camera...and non-stop sex until all three were shaken, stirred and spent. They say a fine Tequila goes down smooth. Are they ever right..
So. You’ve been quarantined. For many of us in the midst of the coronavirus outbreak, we find ourselves locked in our houses, with not much to do. Here's a list of 19 movies you can catch up on!
A family drama is woven with quiet yet powerful forces of words and nature.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
