What 'Magnolia' Says About Childhood Trauma
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.

Cristina spent the last thirty years of her life in France, where she arrived as a political refugee. She decided to take the route from Paris to Grenoble to attend a barbecue, a ritual organized by Latin American exiles since 1976 to thank the French people for their hospitality. Alicia, Jaime, Juan Carlos, and Jorge, some of those who shared her early years of exile, are waiting for her there. Together they will retrace the path that unites the past and present of a generation marked by pain.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.
One Christmas Eve, after a sudden snowstorm, a group of teenagers will discover how their lives will change forever.
The shattering of what we strive to maintain as reality. It is certainly truthful to state that most, if not all, of us have experienced moments of genuine mental stress. Regardless of what might be the cause, the sheer unsettledness, the pressure that weighs upon us is a tangible force that CAN seem insurmountable. However, more often than not, this is only a temporary , one we can come through and simply move on from.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
When science, Bruce Banner is exposed to gamma radiation from his experiment, he transforms into a gigantic green monster when he gets angry and wreaks havoc wherever he goes.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.