"The Woman in Cabin 10" (2025) Should Have Stayed Faithful to the Book
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

In a personal quest, filmmaker Shirikiana Aina made this documentary capturing her efforts to learn more about her father, who died when she was a child. A Michigan man descended from slaves, he was labeled a radical by the FBI. Aina traveled to Ghana, documenting an oral history of slavery in Elmina, a port where Africans were warehoused before shipping to the New World. She also filmed African-Americans who have established a colony in Ghana, choosing to raise their families there.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
Netflix’s recent "Enola Holmes 3" is a disappointing and confusing entry in the stellar "Enola Holmes" franchise.