The Grainy Landscape, Worn-Out Household, and Remembering the Past in 28 Years Later
How do zombie films shine new light in the post-Covid and post-Brexit era?

This is a story about 'the absence of love.' The film portrays three girls from different family backgrounds and upbringings, yet they share the same social identity—'left-behind children.' The film focuses on the psychological state and survival conditions of these children, who have grown up without familial affection. Using 'left-behind children,' a phenomenon born out of the era of reform and opening up, the story reflects the warmth and coldness of human relationships and the changes in society across various social strata in China during this era. The three girls are played by the same actress, creating a deeply Eastern portrait of contemporary Chinese society, with each seemingly independent character woven into a nuanced and atmospheric tableau.
How do zombie films shine new light in the post-Covid and post-Brexit era?
Could you use some hearty laughs? Then you’re in the right place! Enjoy this selection of diverse international comedies.
For football fans, this sports movie will show viewers the bonding between father and son as the son prepares for his big game.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.