“Subject to IX” Movie Review: Discussing the Hard Truth About How Colleges Handle Title IX Cases.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.
Three Sisters
For her latest project, commissioned by Arte and starring members of the Comédie-Française, Valeria Bruni Tedeschi (A Castle in Italy, Rendez-Vous 2014) shot an idiosyncratic, half-modernized adaptation of one of Chekhov’s greatest, most expansively melancholy plays.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
For her latest project, commissioned by Arte and starring members of the Comédie-Française, Valeria Bruni Tedeschi (A Castle in Italy, Rendez-Vous 2014) shot an idiosyncratic, half-modernized adaptation of one of Chekhov’s greatest, most expansively melancholy plays.
Rating:
Genre:Drama, TV Movie
Written By:
In Theaters:
Box Office:
Runtime:110 minutes
Studio:ARTE, La Comédie-Française, Agat Films & Cie / Ex Nihilo, Ad Vitam Production
Articles You May Like
'The Reason I Jump': Looking At The Lives Of Autistic People
Based on the bestselling memoir, viewers get a glimpse of the challenges of autistic people.
Hong Sang-soo's Hat Trick
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
'Pulgasari': The Strange Story Behind North Korea's Godzilla
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
'Encanto': Colorful Characters, Intergenerational Trauma, and Fun Music
Disney's newest Latine animated musical, 'Encanto', features a super colorful cast, fun music, and a surprising conflict about intergenerational trauma.
In The Heights: The Case for Diversifying Diverse Films
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.