
An anthology feature film exploring contemporary Black existence through the Pan-African flag: A collegiate football star scrambles to save his career after a devastating injury fractures his sense of self-worth; a Ghanaian single mother loses her job and faces deportation as an unlikely group of heroes rally around her; the lead of a struggling Black sitcom questions the cost of success as the network forces the show into racist caricature to boost ratings.
A family drama is woven with quiet yet powerful forces of words and nature.
The 2019 film, Vai, takes us through eight stories across the islands of Oceania. The settings are unbelievably beautiful, the cast is beautiful, the languages are beautiful, and the stories are beautiful…but heartbreaking.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
In Tall Girl, Jodi learns to stand tall and find confidence within.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.