When you are chased by three ruthless bandits, the wound in the stomach does not want to stop bleeding and the bag filled with gold is getting heavy, you will need something more than three rounds to survive.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
