Shudder’s 'Cursed Films' (Review)
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.

Antonio Guerra is an unemployed Spanish immigrant in the USA. His brother and mother in Spain haven't heard about him for many years or even receive a letter. But one day, his brother receives a letter from him, telling that things are going well. But the reality is other. Antonio is passing a hard time in New Yor City, suffering the Years of Depression as many out of workers. One day, Antonio meets a nice Cuban seller, who invites him to eat at his poor house. The seller advices Antonio to visit a man, who has contacts and could help him to find a job. Nevertheless, Antonio is send with the leader of a group of gangsters, dedicated to the illegal traffic of alcohol. Antonio is offered a work of dealer, but he won't do anything out of the law.
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
"Warrior" is a Bruce Lee written and inspired story that follows a diverse cast of Chinese American characters and does a terrific job of setting the story in 1878 San Francisco - all without pulling their punches with the systemic racism, discrimination, and struggle for power that old and young immigrants that crossed the country at that time had to go through.
I like discovering something new among the old and Tubi has an assortment of horror films from cinema's past for just such an occasion.
This Christmas movie gives viewers a friendship that unexpectedly forms from a plane trip.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.