"Backrooms" Succeeds
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.

Bertrand dutifully visits his terminally ill wife every day, braving the long train and bus ride to and from the hospital. Lorraine not so willingly visits her boyfriend who was diagnosed with colon cancer. They bump into each other during one of their visits and begin to meet for coffee. Coffee turns into Lorraine offering to drive Bertrand to the train station and the two turn to each other in their time of grief and confusion.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
A 3D animated film centered on chasing fame in the humble stomping grounds of middle school. Unfortunately, while the protagonist dreams big, the plot falls short and fails to capture even a semblance of diversity.
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
The 2019 film, Vai, takes us through eight stories across the islands of Oceania. The settings are unbelievably beautiful, the cast is beautiful, the languages are beautiful, and the stories are beautiful…but heartbreaking.