
The grueling, emotionally torturous world of French preparatory schools provides the framework for this mystery. The deliberately rigorous courses are designed to prepare students to take the brutal examinations for entry into the elite Grand Ecoles, where a select few will gain the skills and education needed to insure a bright, prosperous future for themselves. The story centers on Delphine, a girl from the lower classes, and the upper class Claude. Both young women aspire to attend the Ecole Normale Superieure on the Rue d'Ulm. Delphine lives in humble public housing with her dull mother and two young brothers while Claude, who considers herself a Communist, lives in luxury with her own servant; she is sexually involved with fellow- student, Axel, who thinks himself a fascist.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
"Beef" is a new dark comedy with a near entire Asian-American cast