Closeted sixteen-year-old Grace Walker is trapped in her very suburban, Christian existence. When news of her estranged biological father’s death, along with his belongings, make it to her stepfather’s funeral home, she discovers drawings, a burned music CD of his favorite songs, and a letter from his close friend Liza Minnelli. On the eve of her mother and stepfather sending her off to conversion therapy, she steals the funeral home’s hearse setting out on a road trip to deliver her father’s ashes to Liza—where she believes her father wanted them to go. Unbeknownst to Grace, in the back of the hearse is passed out, alcoholic, failed father figure, Vietnam vet, sixty-six year old Red—who works at the funeral home. Not having a driver’s license, Grace blackmails Red into driving her to LA. What Grace doesn’t know is that Red has struck a side deal with her stepfather and is planning on delivering her to the conversion therapy center.
Like millions around the world, I've been waiting four years for the renowned #SnyderCut. I'll never forget sitting in the theater on opening night, witnessing a CGI mouth on Henry Cavill's face about five seconds into Justice League. That's a thing of nightmares if I must say. Anyways, right then and there, I knew I desperately needed Zack Snyder's film.
This Agni Kai looks cool and is funny as well!
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
