
Set in the conservative world of the 1950s, Jan checks into a hotel seeking to escape the outside world. Once alone, they are free to shed the identity society has imposed upon them. Jan embraces the chance to explore who they truly believe they are. As they relish this new identity, a surge of confidence emerges, but they soon realize that not everything is as it seems. Faced with a choice between internal pressures and embracing their authentic self, Jan takes a bold step forward.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.