Racism in A Second Chance: Rivals!
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.

Our memories make up the foundation of who we are, but they are constantly changing. Like a living organism with its own personality, memory can be loyal and reliable, sneaky and surprising, or capricious and cruel. Shot primarily in 16mm film, this creature called Memory is made from museum objects, neuroscience data, and the filmmakers’ personal memories.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
Episode 3, entitled “Now in Color,” brings us to the 1970s — a decade full of vibrancy, color, and total mayhem.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.