'Better Nate Than Ever' takes to Broadway
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.

It features all sorts of things that are way too visual to be on the radio: dance, animation, illustration, an interactive musical performance, photographs, a short film, and David Sedaris in clown makeup. Along with Sedaris, there are stories by the now-famous Tig Notaro, Glynn Washington, Ryan Knighton and David Rakoff. Lots of the stories are funny. David Rakoff's is particularly touching. He talks about the abilities he’s lost during his fight with cancer, and then, gracefully, beautifully, does a solo dance onstage. It was the last story Rakoff ever wrote for the radio show. He died three months later, in August. OK Go provides music. Monica Bill Barnes & Company dance. Ira Glass tells a story using things he normally can't: photos. Mike Birbiglia casts Terry Gross in a surprising, hilarious little movie.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
The new biopic 'Elvis' highlights the beginning and end of the career of this rock and roll legend. The audience is taken on this journey knowing the tragic ending but not so much about what led him there. A large topic of discussion is the influences on Elvis that made him who he was as a singer, musician, and performer, which were blues, gospel, and country. Many of the songs that rose him to fame were songs by Black artists he heard growing up in primarily Black settings.
Films about casinos have long been a favorite of Hollywood. This is unsurprising, as they're often tied to magnetic characters whose lives revolve around luxury, spectacle, and even danger.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.