‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

Trevor Phillips confronts some uncomfortable truths about racial stereotypes, as he asks if attempts to improve equality have led to serious negative consequences.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
This 2023 film serves as the final chapter of the Indiana Jones franchise.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.