"Opus" Is Fun But Doesn't Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.

When a large alien spacecraft appears in the desert, a small group of clandestine government officials gather to investigate its motives. Lead scientist Dr. Wells, with the help of world class mathematician Gina, have translated a coded message inviting humans to board their ship. Unsure if it's safe, they await the arrival of highly decorated military strategist, General Huxley and the mysterious Mr. Cooper who will make contact with the alien visitors and assess their risk. They soon realize that everything is not as it seems.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
When they’re young, they’re America’s darlings but, when they become teens and adolescents, they’re instantly perceived as harbingers of immorality. They’re Lindsay Lohan, Macaulay Culkin, Justin Bieber, and Britney Spears. But, despite what many media outlets, politicians, and the general public may think, they are human beings above anything else. The new Billie Eilish documentary, Billie Eilish: The World’s A Little Blurry, proves this — showing the trials, tribulations, and humanity when growing up with all the world’s eyes on you.
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.