
No hay olvido, composed of three parts, each directed by a young Chilean filmmaker forced to flee his country, is about the difficult condition of exiles in a specific political and social context, in this case, Quebec. The first part, entitled J'explique certaines choses, is in Spanish with French subtitles, and shows us more precisely the lifestyle of a group of Chileans. In Slowly, which forms the second part, we are asked, through Lucia, a young Chilean exile, the problem of integration into a new social environment. Finally, Jours de fer (Steel Blues), the third and only part available in English, is a cruel reminder of the harsh condition of the uprooted man who must find work at all costs to ensure his survival.
An enchanted school for young heroes and villains brings the battle between good and evil in this fantasy movie.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.