Thelma (2017)

2021 was a great year for cinema, especially considering that it followed the year when the Coronavirus pandemic was at its peak and essentially disrupted many important activities necessary for filmmaking. With the awards season in full swing, many amazing films are coming under the spotlight, but here are fifteen films I personally don’t see getting as much recognition as others but are definitely deserving of it. The list is numbered for convenience and not a ranking. You’ll see each film is independently rated under its short review. Keep scrolling to find names that should become part of your watchlist!

Coming from Iceland, Lamb is definitely a must-watch and not just for the horror enthusiast. It’s understated in its execution, meandering its way through plot points as if afflicted with the same foggy sluggishness that its setting is. It’s about a couple on a seemingly-deserted island, at least without any life as far as the eye can see except the sheep they breed. A cathartic journey for them in dealing with past trauma, the story is also a euphemism for a currently relevant issue. Remarkably restrained despite the potential to turn into a scarring watch, the film seems to gain from its restraint since the lack of antics, which suggests a self-awareness about itself, drives the message home, and with the slow camera motion, the visuals seem to write a poem themselves, culminating in a memorable climax that leaves just about enough hints to catch the euphemism.

Thelma (2017) opens with a startling and chilling scene that perfectly sets the stage for the unnerving, quietly powerful, and hauntingly beautiful story that is about to unfold. A man and a young girl walk through a frozen landscape, hunting. When they stop to shoot a deer, the man, standing behind the girl so she can’t see, points the gun directly at her head. The tension builds as you wonder if he’s actually going to shoot the child. However, apparently reconsidering, he puts the gun down. This palpable tension is exactly what you’re in for as you watch Joachim Trier’s suspenseful horror film that combines elements of romance with psychological, supernatural, and thriller to create a journey that leaves you on the edge of your seat.

Thelma tells the story of its title character during her time at university in Oslo. Thelma (Eili Harboe) has lived a sheltered life with her parents, who are very religious Christians. At school, she soon begins to experience unexplained seizures, along with a deep attraction to another woman, Anja (Kaya Wilkins). Thelma struggles a lot with her feelings for Anja, as they go against her religious upbringing. As time goes on and her desires get stronger, it soon grows clear that Thelma’s feelings for Anja (and her attempted repression of her feelings for Anja) manifest themselves in some way as supernatural abilities. 

The story allows for a look at self-discovery as a whole in relation to Thelma’s unexplained powers, loneliness, sexuality, religion, and repression. The connection between Thelma’s supernatural abilities and the themes that the film explores is very interesting, as the abilities emerge with her feelings for Anja and manifest in the “worst” ways as she subconsciously tries to repress her feelings because of religious shame. However, once she learns the ultimate truth of what is happening to her, Thelma begins to gain more agency over herself and take back control over her life. Thelma starts the film confused, and goes on a journey of fear and uncertainty that ends with a much greater understanding and power over herself.

There are some truly haunting and stunning sequences in Thelma. One that stands out in my mind occurs about a third of the way into the film, when Thelma goes to see a performance with Anja and Anja’s mother. In the darkened theater, while an unusual dance performance begins, Thelma and Anja begin to connect physically, first by holding hands, which eventually starts to grow to more as Anja’s hand migrates to Thelma’s thigh. As this happens, Thelma’s hand begins to tremor, an above light fixture starts to sway, music builds, and you see bits of the slightly disturbing dance performance playing out on stage. Just as you wonder what will happen next—will Thelma begin to seize, will the light fixture fall?—the tension is broken by Thelma running from the theater. This and many other sequences throughout the film leave you almost holding your breath as you take in the strange beauty and question what is going to happen next.

One interesting element of the film is the fact that it uses very natural imagery, and Thelma’s unexplained powers and sequences related to them deal with natural objects. Birds fly in strange formations through the sky as Thelma’s abilities appear, a snake slithers into a mouth like desire into a body, water, ice, and fire are all shown as means of being trapped or gaining freedom.