
The director of a theatre company is in crisis and his actors have lost confidence in him. One day he meets a woman wearing the same shoes as him, immediately sparking chemistry between the two.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
The sparks of a dangerous conspiracy ignite a mystery in this sequel based on the mysteries of Sherlock Holmes.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?