Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

The Zombie Christ poster

The Zombie Christ (2012)

The year is..."80's future". The world is in shambles. A bitter and desolate place. The zombie apocalypse has been devouring the world for nearly 7 years. Now, the powers that be think the suffering should end - so the ultimate weapon is sent to earth. The Zombie Christ. Those that fight alongside him have become his apostles, and together - they attempt to rid the world of zombies. But who believes, and who is along for the ride? Each with their own destinies, the Zombie Christ guides them across the godforsaken land as he walks directly towards his own.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The year is..."80's future". The world is in shambles. A bitter and desolate place. The zombie apocalypse has been devouring the world for nearly 7 years. Now, the powers that be think the suffering should end - so the ultimate weapon is sent to earth. The Zombie Christ. Those that fight alongside him have become his apostles, and together - they attempt to rid the world of zombies. But who believes, and who is along for the ride? Each with their own destinies, the Zombie Christ guides them across the godforsaken land as he walks directly towards his own.

Rating:
Genre:
Directed By:
Written By:
In Theaters:10/30/2012
Box Office:

Runtime:

Studio:

Articles You May Like


Enola Holmes 3 Screws Up Its Main Character and Blows the Worldbuilding

Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.

Jo Moses