“Come Play”: Creepy Concept, Lackluster Story
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.

Anne, director, adapts L’Assommoir by Emile Zola in which she plays the role of Gervaise. The story echoes her life. Through the mise en abyme, the film challenges this troubling border where fiction merges with reality, where life merges with art. A naturalistic approach that questions intimacy, drama, passion, work and love, and seeks to shed light on the most vibrant, timeless and universal aspects of life.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.