'The Baby-Sitters Club' (2020)
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.

Four women, sterilized and under constant toxic restraint and surveillance, serve their term in a government-run brothel. Their relations are at a critical point; food and water are scarce, their house is rotting and ready to collapse, nothing on the outside exists any more. Nightmarish visions, simulated miscarriages, injections and nausea comprise their daily routine. Yet their dream – although they have been sterilized by the State – is to have a child. One day, a customer disappears and the interrogation begins...
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008's absolutely excellent "Iron Man". The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale "Avengers: Endgame".
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.