“Keanu” Paved the Way for “Get Out”
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."
The Year My Parents Went on Vacation
A boy is left alone in a Jewish neighborhood in the year of 1970, where both world cup and dictatorship happen in Brazil.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
A boy is left alone in a Jewish neighborhood in the year of 1970, where both world cup and dictatorship happen in Brazil.
Rating:
Genre:Drama
Written By:Claudio Galperin, Bráulio Mantovani, Anna Muylaert, Cao Hamburger, Adriana Falcão
In Theaters:
Box Office:
Runtime:103 minutes
Studio:Globo Filmes, Gullane Entretenimento, Miravista, Caos Produções Cinematográficas, Petrobras
Articles You May Like
"Inside Llewyn Davis" Is a Stunning, Melancholic Tale of Failure
Is it Really "Flipped" or is that the way it Should Have Been All Along?
A New Masculinity: "The Mandalorian" Redefines Male Representation in Star Wars
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
"Thunder Road": Guilt, Grief, Regret, and Suicide
"Thunder Road" presents the grief that comes from a family member taking their own life.
Enola Holmes 3 Screws Up Its Main Character and Blows the Worldbuilding
Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.