Ant-Man: A 2015 Marvel Comics Film
Ant-Man is a 2015 live action film based on the Marvel Comics characters of the same comics series, including Scott Lang and Hank Pym, along with others.

As 2021 comes to a close, ABC News present its annual two-hour special highlighting the biggest moments of a historic year. With the country still fighting COVID-19, a groundbreaking inauguration, the Capitol insurrection, and continued protests for racial justice, 2021 proved to be a year unlike any other in modern-day history. "Good Morning America" co-anchor Robin Roberts anchors "The Year: 2021" alongside a team of ABC News anchors and correspondents. "The Year: 2021" features reports on the history-defining events of the year, including breakthroughs in space exploration and vaccines, the race to save the planet from global warming, and how America continues to rebuild and reopen following two years of living in a pandemic, as well as the most talked about times in pop culture, such as milestones in movies and television.
Ant-Man is a 2015 live action film based on the Marvel Comics characters of the same comics series, including Scott Lang and Hank Pym, along with others.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.
Another story focuses on the bond between a young man and a shelter dog in this Netflix drama film.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.