Lila’s life finally feels complete when she starts a dream job with her close friend Robin, falls into a promising romance with Mark, and discovers she’s pregnant. But everything shifts when Julia, Mark’s ex-wife, reappears the moment she learns about the baby. At first, Julia’s involvement seems harmless, even polite, until she begins showing up uninvited, inserting herself into every corner of Lila’s new life. As Julia’s presence grows more intrusive and her intentions more unsettling, Lila realizes she may be fighting to protect far more than just her future. Soon, what began as a perfect new chapter becomes a tense battle of boundaries, obsession, and survival.
"Rodgers' & Hammerstein's Cinderella" wasn’t just a fairytale, it's a Black girl's fairytale. It was a fantasy world where the undeniable beauty of Black girls and Women was celebrated and beloved.
Although Fargo is not actually based on a true story, I do believe it is worth the watch. It has drama, suspense, and a mysterious figure to keep you engaged.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
The story of the loss of innocence of the young prey who has been maimed by the predator. *Trigger Warning, sexual abuse and assault is discussed in this short film.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
