A Homosexual Cowboy is Still a Cowboy
A Homosexual Cowboy is Still a Cowboy - At the center of 'Power of the Dog' is an intense bond between a cowboy and his young protege. Read more about Gay cowboys here!

"The wound and the knife" is several things, or at least three: a documentary, a fiction and an essay. A documentary about the creative process of the last 5 years of the artist Emilio García Wehbi, a series of fictional scenes that dialogue with his work and a kind of essay on the body. In this sense, the staging is situated in the fragment, not only in the fragments of Wehbi's works, but also in the fragments of the bodies that make up those works. Thus, a little adrift and with a puzzle structure, in "The wound and the knife" I manifest a constant will to jump into the void, in this way the film denies itself as a closed work, but rather, what what it tries to be is a draft, the single notes that survived my own process.
A Homosexual Cowboy is Still a Cowboy - At the center of 'Power of the Dog' is an intense bond between a cowboy and his young protege. Read more about Gay cowboys here!
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
Overall, Altered Carbon: Resleeved is pretty “meh.” It’s cool and all that it takes a different approach from the TV show to make it animated rather than live action, but it doesn’t help that the animation looks like something from a video game.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.