'No One Will Save You'
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'

An eight-hour fiction shot for a total of twenty-seven weeks, over a period of fourteen months, in a village population forty-seven in the mountains of Kyoto Prefecture, Japan. It is a geographic description of the work and non-work of a farmer. A portrait, over five seasons, of a family, of a terrain, of a soundscape, and of duration itself. A film-as-adaptive-landscape. A georgic in five books.
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.
Fire Island is the more inclusive film of the two with the bi-phobic definition of pansexuality in The Thing About Harry and its obvious lack of colour on screen
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.