'The Mad Woman and the Feminist' Review: MiamisFF
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.

Leonid Pleshcheyev returned from the war blind. Against his will, he became a dependent. He drowns his grief in unrestrained drunkenness, thereby tormenting his wife Mariya and his teenage son Lyonka. Mariya finally decides to take her son and leave for Altai, but the boy runs away and returns to his father. So, together, they eke out a half-miserable existence until Grigoriy Shalagin, Pleshcheyev's longtime friend, returns from the army. It is he who awakens in Leonid the extinct self-esteem and pride of a soldier. Pity aside, he helps him get back to work.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my reading will reveal, 'Nimona' could be interpreted as a transgender story.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
Dracula evolved from a person to a monster and then from a monster to a person.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.