It's 'Christmas In the Heartland' for Two Girls
This Christmas movie gives viewers a friendship that unexpectedly forms from a plane trip.

'I’m not moaning, you don’t hear me moaning!' These are the words spoken by Gladys Morris, the artist’s dead grandmother, that form, along with other snippets of her conversation, the soundscape for moving image artist Andrew Kötting’s latest work 'The Woman of Kent', a short film that acts as an intervention in the cinema space at Kino Digital in Hawkhurst, Kent. The Woman of Kent interrupts the cinematic experience like an explosion. The words of Gladys are laid over tiny sections of archive moving image showing a Kent that no longer exists, edited together at high speed and interspersed with contemporary pinhole stills of the cinema as it is today. The film will be shown exclusively at the Kino, before regular screenings. The audience may notice the accompanying poster designed by Kötting in the foyer, advertising it as ‘remarkably confusing’ and ‘a forgettable classic’, but other than this will receive no indication of what they are about to witness.
This Christmas movie gives viewers a friendship that unexpectedly forms from a plane trip.
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.