Dramatic sequel to The Witness At Your Door. A lifelong Jehovah's Witness finds freedom from the bondage of the Watchtower Society and in the process discovers the truth behind their stand on blood transfusions and their history of false prophecies. Leo Stern was first featured as the militant elder in the video The Witness at Your Door, a dramatic presentation of how innocent people become involved with the Watchtower Society. In this exciting sequel, Elder Leo must face the painful truth of a life shipwreck on the rocks of misguided religious zeal and false teaching. Can a life-long Jehovah's Witness, hardened by heretical doctrines and beliefs, find freedom from the bondage of the Watchtower Society? Is it possible for someone like Leo Stern to open his heart to the Gospel and acknowledge Jesus Christ as Lord and Savior?
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
A throwback to the last months of the 20th century in this comedy film.
A South Korean romantic drama film that brings a strong first love story.
A deer caught in the headlights is the perfect metaphor for Animals.
