“We Are Pat” (2025): Reclaiming a Controversial 90s Icon
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

Broken by a lifetime of disappointment and pain, Julia leaves behind her crumbling marriage and sets off alone on an arduous hiking expedition in a quest for answers, healing and peace, searching for the fabled Wishing Tree, believed to bring good fortune to those who come to ask. On the trail, Julia encounters Caleb and Ryan lost in the woods, both struggling with their own demons of denied sexuality and addiction. Thrown together unexpectedly, they embark on a soul-searching journey of transformation, discovering that hope is sometimes found in the most unlikely ways.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
The Owl House has swiftly become one of Disney’s beloved cartoon series.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.