Why the #OscarsSoWhite Boycott Should Not Be Forgotten Just Yet
Even after a history changing event, the 93rd Oscars proved it always had the space for more inclusivity in its award ceremony. But it this enough to change the boycott?

Two Osaka comedians, Makoto (Tomomitsu Yamaguchi) and Kinta (Go Morita), are riding bicycles in Tokyo when they're hit by a dump truck. They regain consciousness in 1945, but not of their own bodies. Somehow, their souls have been transported into the bodies of two tokkotai (special forces, or "kamikaze") pilots. Having grown up in a peaceful, carefree Japan, the two comedians experience severe disorientation at having to suddenly deal with the realities of war. They attempt to escape their squadron, knowing that Japan will eventually lose the war, but are nevertheless moved by the young men they meet, all of whom have very different opinions about their fate and the responsibilities that have been placed upon them.
Even after a history changing event, the 93rd Oscars proved it always had the space for more inclusivity in its award ceremony. But it this enough to change the boycott?
Juneteenth is a day to commemorate the emancipation of enslaved people in the United States on June 19th, 1865. We did it! Everyone is free! Everyone is equal! End of story, right?
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.