'The Mitchells vs. The Machines': Creative Kids vs. Practical Parents
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.

One spring, Mole decides that he can ignore the spring cleaning for a little longer, and begins a series of adventures with his new friend Rat. They go for a picnic on the riverbank, on a caravan expedition with Toad, until Toad switches allegiance to his new car and his reckless driving makes Mole and Rat search out Badger for help in curbing Toad's profligate habits. But Toad gets away from them and gets a 20-year sentence from the magistrate for theft, reckless driving, and Gross Impertinence. While Toad works his wiles on the jailer's daughter and escapes jail dressed as a washer woman, Badger tries to guard Toad Hall from the machinations of the Weasels and is badly beaten. And it requires a plan of attack and all four comrades to regain Toad Hall.
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
This is not a story of oppression but a story of liberation.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
Mulan had to struggle to feel like herself and see herself properly. Some of us have to strive to have our reflection mimic what’s inside. We have to crawl. We have to fight.