“Brooklyn Nine-Nine” is Sitcom Diversity Done Right
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.

Can you hear the sleigh bells jingling? It's The Sound of Christmas! Join The Wiggles and their friends for the most joyous time of the year as they sing and dance along to over 20 festive songs, including many wiggly favourites. There's so much fun to be had in Wiggle Town, from a party on the Goodship Feathersword, to baking a Christmas cake or dancing ballet with Dorothy. Even the great big man in red, Santa Claus, makes a special visit with his prancing reindeer and the most talented elves. So, hang your Christmas stocking, decorate the Christmas tree and, of course, put on your dancing shoes, it's time for a wiggly Christmas!
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
As a frequent “the book was better” extoller, this movie was well worth the watch.
“Eleanor The Great” is a feel-good story that explores how we cope with grief and loss while educating us about the horrors of the Holocaust.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.