‘Still’: An Interesting Premise With Poor Execution
Overall this movie was an easy watch, but by no means a worthwhile watch.

Devil virus… When the infected becomes malicious, the virus turns him or her into a monster… Doctor Kitao plots to scatter this virus and rule the world. But a girl stands up to stop this conspiracy… Lethal Angel. She fights against the infected people to stop Doctor Kitao… A new monster, Mosquito Wilzer, appears… This monster suddenly stings Lethal Angel and sucks blood out of her. Mikoto suffers and tries to shake him off but she is losing power… But just then, her partner Lisa appears and saves her. Mikoto transforms into Lethal Angel and defeats Mosquito Wilzer… Doctor Kitao shows himself and Lethal Angel gets angry. But something is happeneing to her right arm! Mikoto’s arm is covered in black light and is moving against her will. Mikoto finds out that she was infected…
Overall this movie was an easy watch, but by no means a worthwhile watch.
The enthralling prequel and 5th installment in 'The Hunger Games' film franchise.
Wuthering Heights— What is the cost of love?
Bigg County Restorations is a zany new pilot from comedians Joe Bell and Mikaela Watkins. In a spot-on parody of History Channel shows like American Restoration and Pawn Stars, Paul Bigg (John Jezior) works to restore kitschy decor for celebrities while his good-for-nothing adult children, Britney (Mikaela Watkins) and Junior (Joe Bell) go on wacky adventures while slacking off on the menial tasks they’ve been assigned. In the pilot, Britney and Mikaela’s day goes off the rails pretty fast.
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.