Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
The Werewolf Hour poster

The Werewolf Hour 

50 year old journalist Kovalev finally gets the chance to become the editor-in-chief of the newspaper. Not wanting to tempt fate, the hero turns to the party organizer for support. And then something unexpected happens, Kovalev's ankle is bitten by a dog, and he becomes a werewolf. Turning into a terrible dog at night, Kovalev has been prowling the city ever since and instilling fear in his readers. Policeman Vasily, the son of an unfortunate journalist, is entrusted to find and neutralize the beast.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


50 year old journalist Kovalev finally gets the chance to become the editor-in-chief of the newspaper. Not wanting to tempt fate, the hero turns to the party organizer for support. And then something unexpected happens, Kovalev's ankle is bitten by a dog, and he becomes a werewolf. Turning into a terrible dog at night, Kovalev has been prowling the city ever since and instilling fear in his readers. Policeman Vasily, the son of an unfortunate journalist, is entrusted to find and neutralize the beast.

Rating:
Genre:Horror, TV Movie
Directed By:Igor Shevchenko
Written By:Sergei Chetvertkov, Vadim Ermolin
In Theaters:
Box Office:

Runtime:95 minutes
Studio:

Articles You May Like


Review: The Roses – Marriage and the Sweet Taste of Revenge

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Nilufer Ozmekik