Exit 8: The Endless Loop in the Modern Society
A man found himself stuck inside the passage to the subway exit on the way to work.

What gifts have the gods given us, and how might we use them to weave a community? In San Pedro Amuzgos, Oaxaca, the director’s reflections and questions invite us into his world, where we learn the story of three threads in the communal loom: Lorenzo, Donato and Zoila.
A man found himself stuck inside the passage to the subway exit on the way to work.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.