Don Giorgio, a handsome young priest and teacher in a convent, is involved with two lovers: Orchidea and Giulia. When he repents and vows to return to the Church, he is savagely beaten to death. Not long after, Giulia has her throat slashed. Inspector Boito falls in love with and prepared to marry Orchidea, who is also the main suspect. The key to solving the case seems to lie with an inquisitive boy called Ferruccio, who is kept locked up and drugged. He witnessed one of the murders, but will anyone believe his story?
Francesco Mazzei
Director
Renzo Montagnani
Inspector Boito
Bedy Moratti
Orchidea Durantini
Eva Czemerys
Giulia Pisani
Salvatore Puntillo
Moriconi
Claudia Gravy
Sister Tarquinia
Alcira Harris
Arturo Trina
Ferruccio
Adolfo Belletti
Anselmo Barsetti - The Sacristan
Arnaldo Bellofiore
Francesco D'Adda
Pisani - Giulia's Husband
Filippo Pompa Marcelli
(as Filippo Marcelli)
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
Hutch just wanted a family vacation, but chaos follows him everywhere. Nobody 2 is violent, stylish, and over-the-top in the best way possible.
Religion, race and generations collide in this romantic comedy starring Jonah Hill
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.